by snoadmin | Mar 28, 2014 | Archives-old
Justin Vernon taught him well. It is impossible to not think of Bon Iver when you hear the name S Carey. But in his first full length solo LP, Sean Carey steps out of Justin Vernon’s enormous shadow and creates an intricate, imaginative, and painfully beautiful...
by snoadmin | Mar 28, 2014 | Archives-old
Pop overload. If Tokyo Police Club incorporated elements with any rock influence prior to their most recent release, they have since been diminished. Forcefield is a pop album through and through. The group is excessively energetic, with simplistic guitar and...
by snoadmin | Mar 28, 2014 | Archives-old
Creative indie that weaves in some noise rock. With an album named “Not Art” and tracks like “Phil Collins” and ÛWhy Hip Hop Sucks In 13,” Big Scary’s newest LP might seem cheeky on the surface, but at a closer look, “Not Art” is a creative work...
by snoadmin | Mar 28, 2014 | Archives-old
Softly psychedelic One distinctive feature of the second album from David Novick, Ty Segall’s buddy and kinda label mate (GOD? is an imprint of Drag City, and Novick played drums on the Sleeper track “The KeepersÛ) is the number of instrumental tracks (three...
by snoadmin | Mar 28, 2014 | Archives-old
Proto-punk-garage-rock-hyphen-sound Chicago based Porno Mags has an incredibly cohesive sound for a band formed less than a year ago, probably gained from their strict definition of the proto-punk genre. Porno Mags follows the recipe rather well- late 60s meets...
