Earlier this month, an event series launched in Oakland called “Death to Spotify”. The forum sold out in just 24 hours, with interested individuals from Detroit to Bangalore, India inquiring about hosting similar talks in their own cities or receiving recordings of...
Blogs
An Audiophile and New Jersey Defender’s Take on the Garden State Soundtrack
I recently rewatched the indie cult-classic “Garden State” the other weekend. The air finally felt cold enough and the leaves yellow enough. Really, I wanted to hear the soundtrack, the same one that won a Grammy. It really is so special, full of perfectly...
Op-Ed: Avoiding Rock ‘n’ Roll Ennui
“The scene just isn’t what it used to be.” Hashed out chit chat of the 40-something men holding court in the back of a local punk show. They traded in the Xs on their hands for beer bellies years ago. Now, clutching an IPA and barely squeezed into their 15-year-old...
The Future of D.C. DIY: Community Over Corporate
TORO Performing in the Kay Basement, March 2024. Photo by Ryan Barna Independent venues have been at the heart of the D.C. music scene for decades. Basements, warehouses, bars and more turn into a breeding ground for new music and art, and a space for people to be...
Album Review: Taylor Swift’s ‘The Life of a Showgirl’ and the Limits of Inauthenticity
I was a huge Taylor Swift fan growing up–my first iPod only had two full albums on it: One Direction’s debut album and "1989". Those two albums played on repeat, much to my mom’s chagrin, and though my music taste has changed in the last 12 years, I never stopped...
Album Review: Innovative Rap Music & Musicianship in the Modern Landscape — McKinley Dixon’s “Magic, Alive!”
In my eyes, McKinley Dixon has occupied a special place in music ever since the 2023 release of his critically acclaimed “Beloved, Paradise, Jazz.” Hearing that album for the first time was truly an eye-opening moment. I was instantly blown away by the sheer...
9/30 at the 9:30 with Natasha Bedingfield
In August of 2004, Natasha Bedingfield released her debut project "Unwritten". Flash forward 21 years and she has brought her fourth tour back to Washington D.C., performing her first headlining show at the 9:30 Club on the venue’s very own day, Sept. 30 (9/30). The...
Concert Review: Geordie Greep @ the Black Cat
It took more than five minutes after Geordie Greep’s band took the stage for him to walk up to the microphone and perform the first song in his set. When the pre-show tunes faded at Black Cat on Saturday, Sept. 20, the crowd erupted with cheer, poking their heads over...
Web Staff’s Summer 2025 Picks!
The semester is officially underway and so is WVAU Web Staff! As the summer months come to an end, our staff reviewed the releases that defined the season for them. Enjoy their take on some of the most popular drops, as well as some underrated pieces that might just...
Aren’t We All Sick? An Ode to Sunday (1994)
“I’m not in possession of a Smith & Wesson Or I’d decorate the ceiling The Sistine of my feelings” These bold lyrics from “Blossom” close out the deluxe version of Sunday (1994)’s self-titled debut EP. The band doesn’t shy away from such forwardness....









